About

His good-sized voice is of uncommon beauty from bottom to top; the middle of the voice in particular is virile and darkish in color, but with a burnished glow… recitatives, subito pianos, long diminuendos on high notes, tasteful rubatos, cadenzas and variations that are born out of the drama…

Mexican tenor Javier Camarena is the preeminent Mozart and bel canto specialist of his generation. Praised for his burnished tone, gleaming high notes, flawless coloratura, and veracious portrayals, he regularly appears in leading roles alongside today’s foremost stars at the world’s top opera houses, and was the face of Opera News’s 80th anniversary edition this past January. Last season, as Ernesto in Donizetti’s Don Pasquale, he became only the second singer in Metropolitan Opera history to perform encores in multiple productions at the house, after the audience demanded a repeat of his aria “E se fia che ad altro oggetto.” This followed his triumph in 2014, when he joined the ranks of Luciano Pavarotti and Juan Diego Flórez to become only the third singer in 70 years to give an encore on the New York stage, having he stopped the house in consecutive performances of Prince Ramiro’s aria “Si ritrovarla io guiro” in Rossini’s La Cenerentola. Camarena went on to repeat the same feat in La fille du régiment at Madrid’s Teatro Real, marking only the second time that a singer had given an encore there since its reopening.

The Mexican tenor Javier Camarena confirmed his reputation as opera’s new superstar with a scintillating performance at the Royal Opera House.

– William Hartston, Express

Looking ahead, 2016-17 brings a number of key firsts. Camarena launches the season with his house debut at London’s Royal Opera House, singing Almaviva in Il barbiere di Siviglia, before reprising the Rossini role at the Met and Zurich Opera. At Barcelona’s Gran Teatre del Liceu, he gives his first performances as the Duke of Mantua in Verdi’s Rigoletto, besides singing Tonio in Donizetti’s La fille du régiment. He makes his house debut at Spain’s Opera Bilbao as Don Ramiro, which is also the vehicle for his return to the Bavarian State Opera, and makes house role debuts as Lord Arturo Talbo in Bellini’s I puritani at the Met and in Andreas Homoki’s recently premiered production for Zurich Opera. While in Zurich, he makes his recital debut on the house’s main stage, where recital partner Ángel Rodríguez joins him for a pairing of Donizetti and Rossini arias with Mexican song. Bookending the season in concert at two New York events, he appears on a star-studded roster of singers at Carnegie Hall for the Richard Tucker Music Foundation’s annual gala, and joins such luminaries as Plácido Domingo for the Met’s 50th Anniversary Gala, which celebrates half a century in the company’s present home.

Last season’s homecoming at Mexico City’s Palacio de Bellas Artes, for his role debut as Talbo in a new production of I puritani, made headlines, selling out all five performances; he subsequently revisited the role at Teatro Real Madrid. At the Zurich Opera, he gave his first performances as the Conte di Libenskof in a new staging of Rossini’s Il viaggio a Reims, and reprised both his star turn as Ernesto and his portrayal of Fenton in the company’s season-opening production of Verdi’s Falstaff. He sang Almaviva for returns to the Bavarian State Opera and Vienna State Opera, where his appearance in a new treatment of Il barbiere di Siviglia streamed live to audiences around the world. With a program of Beethoven, Liszt, and Tosti, he made recital debuts at Chicago’s Harris Theater and Washington’s Kennedy Center in company with Ángel Rodríguez, who also joined him for the prestigious Rosenblatt Recital Series at London’s Wigmore Hall.

It was at the Palacio de Bellas Artes in Mexico City that Camarena made his professional debut, as Tonio in a 2004 staging of La fille du régiment, and he has since returned to the house for three further productions. In 2007, he joined the ensemble of the Zurich Opera, where he has appeared in a full 15 productions to date. Four years later, he made his debut at the Metropolitan Opera as Rossini’s Almaviva, which is one of the signature roles for which he is best known; others include the same composer’s Don Ramiro and Comte Ory; Mozart’s Belmonte and Ferrando; Donizetti’s Nemorino and Arturo; Verdi’s Fenton; and Bellini’s Elvino. Equally celebrated for appearances at San Francisco Opera, Paris Opera, Barcelona’s Gran Teatre del Liceu, Dresden’s Semperoper, and the Vienna and Bavarian State Operas, the tenor has collaborated with such eminent conductors as Claudio Abbado, Marco Armiliato, Maurizio Benini, Bruno Campanella, Giuseppe Finzi, Daniele Gatti, Fabio Luisi, Zubin Mehta, Evelino Pidò, and Franz Welser-Möst.

Camarena’s discography includes three solo titles for Sony: Recitales (2014), a live recording of arias by Rossini, Scarlatti, and Donizetti with songs by Mexico’s Agustín Lara, María Grever, and others; Serenata (2015), a collection of songs by Lara and his compatriots; and a Latin pop album titled Javier Camarena Canta a Cri Cri (2016). He appears on numerous operatic DVD/Blu-ray releases, captured live at Europe’s leading opera houses. Filmed at the Zurich Opera are Mozart’s Così fan tutte (EuroArts, 2010), Verdi’s Falstaff (C Major, Unitel Classica, 2012), and, with Cecilia Bartoli, Rossini’s Le Comte Ory (Decca, 2014) and Otello (Decca, 2014). Captured at the Salzburg Festival are Mozart’s Die Entführung aus dem Serail (ArtHaus Musik, 2014) and Verdi’s Falstaff, with Zubin Mehta leading the Vienna Philharmonic (EuroArts, 2014), and from Opéra Bastille comes Bellini’s La somnambula, starring Natalie Dessay (France Télévisions, 2010). The tenor may also be heard on live concert recordings of Gounod’s La Colombe, with Mark Elder conducting the Hallé (Opera Rara, 2015) and of Schubert and Mozart masses under Claudio Abbado’s leadership at the Salzburg Festival (Accentus, 2013).

Born in Xalapa in Mexico’s State of Veracruz, Javier Camarena studied with mezzo-soprano Cecilia Perfecto at the Universidad Veracruzana before completing his musical studies with honors under Hugo Barreiro and Maria Eugenia Sutti at the University of Guanajuato. In 2004, he took first prize in Mexico’s Carlo Morelli National Singing Competition, and the following year he won the Juan Oncinas Award at Barcelona’s Francisco Viñas Competition, after which he was invited to join Zurich’s International Opera Studio under the mentorship of fellow tenor Francisco Araiza. From 2013 to 2016, Lideres Mexicanos included Camarena in their list of Mexico’s most prominent leaders, and in the 2014-15 season, Quién magazine named him as one of 50 leaders transforming the nation. Married with children, he lives in Zurich, where his hobbies include cooking, movie-going, video-gaming, and sightseeing.

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Javier Camarena thanks the National Center for the Arts, for the facilities to produce the photos exhibited in his webpage, proud to showcase the arts and culture of his native Mexico. © Javier Camarena. All rights reserved, 2017.